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OurKarnataka.Com (OKC) would like to thank Vani Srikanta for translating
some of the Pages of History of Karnataka.
This phrase was first seen in the epic by Amoghavarsha "Kavirajamarga". Karnataka has
the highest elevation level in South India. "From (River) Narmada to (River)Kaveri is our beautiful land" is how one inscription of the Badami Chalukyas describe Karnataka. Going by the two
phrases, the region expanded northwards from Godavari to Narmada from 9th century AD. History indicates
that the Chalukya and Rashtrakuta kings had expanded the Karnataka region from Kanauj to Kanyakumari.
Rashtrakuta kings Dhruva and Govinda had won wars right up to the foothills of the Himalayas. Dhruva's
son Indra was assigned with the administration of Gujurat and Malwa. The Rashtrakutas were ruling the Kanauj
region till the end of 11th century. But the last Rashtrakuta king Lakhanpal was defeated by Qutubuddin Aibak &
there ended the Kannadiga rule in Kanauj.
One of the more memorable pieces in Karnataka's history is the reign of Kings of Kannada origin,
outside Karnataka. Like the "Sena" and "Mithila" dynasties of Bengal. The inscriptions found
there speak of the Kshatriya Kings from Karnataka establishing their rule in Bengal.
Inscriptions say that the founder of Sena dynasty, Veera Sena, was of Southern origin. They
had overthrown the "Pala" dynasty to gain control of Bengal. They were instrumental in
implementing the Shaka calender of Karnataka in Bengal. King Naanyadeva, also known as
"Karnataka Kalabhushana" established his empire in Tirhat or Tirabhukthi, near the end of
11th century. He made Champaran or Simarapura as his capital. King Malladeva's reign is
Nepal is mentioned in the shasanas. His brother, Gangadeva, defeated the Palas & the Senas
to gain control of the empire. The last emperor of this dynasty Harisimha(1285 AD - 1313 AD)
was defeated by Muslim rulers and thus ended the Karnataka rule in the region.
The Chalukya King Vinayadtya, Rashtrakuta’s Govinda-III and Krishna-III conquered Sri Lanka
and established rule there. The Gangan coins found in Sinhala give evidence of Ganga rule
there. The Vijayanagar kings Devaraya-II, Krishnadevaraya and Ramaraya had all ruled over
Sri Lanka. During this time, the entire South India was united. The cultural achievements of
the Vijayanagar Kings are outstanding in Indian History. After the defeat of the Vijayanagar
kingdom in the battle of Talikot, Karnataka split into many regions like Mysore, Kerala etc.
that were ruled by smaller kingdoms. Amongst these, the Mysore Wodeyars continued the
traditions of the Vijayanagar empire. The advancement made in Mysore during the Hyder-Tipu
reign came to a halt with the death of Tipu Sultan and the defeat of Mysore in the
Anglo-Mysore war. The divided Karnataka state became unified after Independence, in 1956.
There are inscriptions that prove that Karnataka had friendly relations with other
states. The Tulu coins that were found in Haprappa-Mohenjudaro shows how advanced
Karnataka already was in Commerce. “Aiyavale Inoorvaru” mentions the trade dealings Karnataka had with
other parts of the world. Pleeni’s book “Natural Geography” illustrates how Karnataka’s
influence reached till Rome because of the similarities in the folk culture of Karnataka and Rome.
Ma Huan has written about the Chinese traveler Huen-Tsang visiting the Chalukya King
Pulikeshi’s empire and about Chinese seafarers docking in Kochi and Calicut during the
Vijayanagar reign.
The influence of Kannada in Burma has been discovered by the script expert Siad Kol. Persian
ambassadors’ and Arab traveler Sulaiman’s visit to the Rashtrakuta kingdom shows that there
were cordial relations with these nations. Persia’s Abdul Razak, Portugal’s Paes and Italy’s
Nicolo Conti visited Karnataka during the Vijayanagar reign. The Bahamani army had soldiers
from Turkey, Arabia and Persia. The art and sculpture of these times have Turkish & Persian
influence.
The fact that Karnataka had dealings with various countries shows the progress it had made
in foreign relations. Karnataka’s superiority in art, tradition and culture is an experience
to behold. To read about it’s historical literature is wonderful & to learn about it is our
duty.
Translated by Vani Srikanta
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